Chameleonare

jaclcfrost:

"are you talking to yourself"

no i’m breaking the fourth wall

stagdogwolfandrat:

Me flirting: So do you think Dumbledore’s over protection of Harry to the point where it harmed more than helped him stemmed from a desire to compensate for being so careless about the life of his sister and abandoning his brother when he was supposed to be the head of the family?

ambidexterous:

overanalyticalqueer:

so hey fun fact for anyone who wants queer history trivia: the first disco in Seattle was opened in 1973 and was a gay bar called “shelly’s leg” and it was named after a dancer named shelly who lost her leg in a confetti cannon accident and used the insurance/lawsuit settlement money to open a gay disco.

a) This is such a fantastic story that I wouldn’t care if it were made up, except that

b) upon further research, it does appear to be true

ryanbeford:

Me: I’m so ugly!

500 million other people: NONONO U ARE SO CUTE AND SWEET U ARENT UGLY DONT U EVER SAY THAT!!!!

Me: wow I’m really beautiful!

500 other million people: WOW YOU’RE SO SELF CENTERED. CAN YOU KEEP THAT TO YOURSELF???? NO ONE CARES.

fishslut:

of-the-yellow-ajah:

unbuttonedinawood:

i never thought i’d write the words “deeply evil carpet” but. seriously. what a deeply evil carpet that is.

And what you should do is to put this over an actual trap, like a hole in the floor so people will be like “Oh ha ha ha that’s soooo funny, it’s a rug!” And then fall through it. 

are you satan

candycrushruinedmylife:

i’m scared to have kids like what if they’re not punk rock?????????????

(Source: jagerbombsss)

okusuck:

IMAGINE IF SIMON COWELL WAS YOUR DAD AND YOU WERE SINGING IN THE SHOWER AND HE KNOCKED ON THE DOOR AND SAID “ITS A NO FROM ME”

lungbender:

Me: 

image

You:

image

(Source: charizord)

thisshitfunny:

madredenutrias:

Wait. … wait…

don’t do that stop doing that

Nicki Minaj is not a woman who easily slides into the roles assigned to women in her industry or elsewhere. She’s not polished, she’s not concerned with her reputation, and she’s certainly not fighting for equality among mainstream second-wave feminists. She’s something else, and she’s something equally worth giving credence to: a boundary-breaker, a nasty bitch, a self-proclaimed queen, a self-determined and self-made artist. She’s one of the boys, and she does it with the intent to subvert what it means. She sings about sexy women, about fucking around with different men. She raps about racing ahead in the game, imagines up her own strings of accolades, and rolls with a rap family notorious for dirty rhymes, foul mouths, and disregard for authority and hegemony.

While Beyoncé has expanded feminist discourse by reveling in her role as a mother and wife while also fighting for women’s rights, Minaj has been showing her teeth in her climb to the top of a male-dominated genre. Both, in the process, have expanded our society’s idea of what an empowered women looks like — but Minaj’s feminist credentials still frequently come under fire. To me, it seems like a clear-cut case of respectability politics and mainstreaming of the feminist movement: while feminist writers raved over Beyoncé’s latest album and the undertones of sexuality and empowerment that came with it, many have questioned Minaj’s decisions over the years to subvert beauty norms using her own body, graphically talk dirty in her work, and occasionally declare herself dominant in discourse about other women. (All of these areas of concern, however, didn’t seem to come into play when Queen Bey did the same.)

Nicki Minaj’s Feminism Isn’t About Your Comfort Zone: On “Anaconda” and Respectability Politics | Autostraddle (via becauseiamawoman)